Cultural Capital: The Problem of Literary Canon Formation

In Cultural Capital, John Guillory challenges the most fundamental premises of the debate by resituating the problem of formation in an entirely new theoretical framework. The result is a book that promises to recast not only the debate about the literary curriculum but also the controversy over multiculturalism and the current of the humanities. Guillory argues that formation must be understood less as a question of representing social groups in the than of distributing in the schools, which regulate access to literacy, the practices of reading and writing. He declines to reduce the history of formation to one of individual reputations or the ideological contents of particular works, arguing that a critique of the fixated on the concept of authorial identity overlooks historical transformations in the forms of cultural capital that have underwritten judgments of individual authors. The most important of these transformations is the emergence of in the later eighteenth century as the name of the cultural capital of the bourgeoisie. In three case studies, Guillory charts the rise and decline of the category of as the organizing principle of formation in the modern period. He considers the institutionalization of the English vernacular in eighteenth-century primary schools; the polemic on behalf of a New Critical modernist in the university; and the appearance of a canon of theory supplementing the literary curriculum in the graduate schools and marking the onset of a terminal crisis of literature as the dominant form of cultural capital in the schools. The final chapter ofCultural Capital examines recent theories of value judgment, which have strongly reaffirmed cultural relativism as the necessary implication of critique. Contrasting the relativist position with Pierre Bourdieu's very different sociology of judgment, Guillory concludes that the