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noticed, there has recently been a virtual explosion of interest in narrative and in theorizing about narrative; and it has been detonated from a remarkable diversity of sites, both within and without the walls of academia. Along with progressively more sophisticated and wide-ranging studies of narrative texts-historiographic, literary, cinematic, psychoanalytic--we find a burgeoning development of disciplinary appropriations or mediations: narrative and psychology, narrative and economics, narrative and experimental science, narrative and law, narrative and education, narrative and philosophy, narrative and ethnography, and so on, as well as numerous, newly negotiated cross-disciplinary approaches. The large question I want to ask is why? Why narrative? And why narrative
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Martin Kreiswirth (Wed,) studied this question.
synapsesocial.com/papers/6a0a4b8adf43cb70ca573c28 — DOI: https://doi.org/10.2307/469223
Martin Kreiswirth
Western University
New Literary History
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