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Well-known for his writing on Happenings, performance art, and avantgarde theatre, Michael Kirby also produced a series of highly notable photo-sculptures. Developed in conjunction with the theoretical concept of “situational aesthetics,” these “embedded sculptures” were conceived of as “visual instruments” that explored the relationship of space, time, context, and beholder.
Alexander Streitberger (Tue,) studied this question.
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