Understanding the changing Intangible Cultural Heritage in tourism commodification: the music players’ perspective from Lijiang, China

While Intangible Cultural Heritage (ICH) emerges as a new topic in the fields of heritage studies and tourism studies, the changeability of ICH in tourism commodification is still under-researched. The tension between protection and commodification of ICH is intensified when ICH is regarded as a heritage to protect and a resource for commodification, such as in the case of China. With a musical ICH element in Lijiang, China as the case, this paper applies a Critical Heritage Studies approach to investigate the values and components of ICH from the perspective of the music players. From both the diachronic and synchronic dimensions, the research shows that the players construct the values of their ICH in a subject, diverse and dynamic process. The less- and the more-commodified forms of performance are not clearly differentiated; rather, they are regarded as equally important to realise players’ dynamic and subjective needs. Provided practitioners can engage with their ICH freely, commodification can be seen as an indispensable form of the ICH-making process. This paper aims to reveal the dynamism of ICH, to rethink the commodification of ICH, and to rethink the relationship between the commodification and the making of ICH from a critical approach.