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Abstract The discoloration rate of chrome yellow (CY), a class of synthetic inorganic pigments (PbCr 1− x S x O 4 ) frequently used by Van Gogh and his contemporaries, strongly depends on its sulfate content and on its crystalline structure (either monoclinic or orthorhombic). Macroscopic X‐Ray powder diffraction imaging of selected areas on Van Gogh's Sunflowers (Van Gogh Museum, Amsterdam) revealed the presence of two subtypes of CY: the light‐fast monoclinic PbCrO 4 (LF‐CY) and the light‐sensitive monoclinic PbCr 1− x S x O 4 ( x ≈0.5; LS‐CY). The latter was encountered in large parts of the painting (e.g., in the pale‐yellow background and the bright‐yellow petals, but also in the green stems and flower hearts), thus indicating their higher risk for past or future darkening. Overall, it is present in more than 50 % of the CY regions. Preferred orientation of LS‐CY allows observation of a significant ordering of the elongated crystallites along the direction of Van Gogh's brush strokes.
Vanmeert et al. (Fri,) studied this question.