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Introduction This text addresses the questions of erasure, deletion and disappearance in new media art from the aspect of preserving, archiving and representing the emblematic line of generative art practices whose poetic qualities make them museologically problematic within the technological and institutional context of the early 21st century. Contemporary generative art often combines procedural (algorithmic) thinking with bricolage methodology and relies on the infrastructures such as the Internet or the AI systems
Dejan Grba (Tue,) studied this question.
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