Alliteration in W. Shasha’s Zihlabana nje Ziyalamba

This paper examines the use of alliteration in Welile Shasha’s poetry in Zihlabana nje Ziyalamba. This aspect is chosen as Shasha uses it very intensively in his poetry. Alliteration is discussed as demonstrated by the use of assonance and consonance in the poetry. To be considered then is the repetition of vowel and consonant sounds. The subheadings of this discourse are introduction, theoretical framework, research methodology, assonance and consonance. The concept of alliteration is defined as part of the introductory section of the study. A concluding remark, which provides the summary of the research, evaluation and recommendation for further study, will be included towards the end of the discourse. The theoretical framework that underpins this study is that of literary stylistics. The study uses the qualitative research methodology of data collection and analysis.