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Abstract Joe Ushie’s poetry is highly expressive of a poet persona’s place consciousness. In this paper I interrogate selected poems that articulate a sense of place and belonging in his four collections of poems: Popular Stand and Other Poems (1992), Lambs at the Shrine (1995), Hill Songs (2000), and A Reign of Locust (2004). Utilising the theoretical provisions of postcolonial ecocriticism, I see his imagery as a creative strategy to express his belongingness, foreground a marginalised cultural space, and draw attention to the vagaries of a once idyllic environment in the throes of vain postcolonial politics, commercial greed, and poverty. Thus, while remaining close to the poet’s indigenous imagination, I conclude that Ushie’s aesthetics of place and belonging is anchored firmly in the environmentalist ethics of pursuit for a healthy environment.
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Idom T. Inyabri
University of Calabar
Matatu
University of Calabar
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Idom T. Inyabri (Thu,) studied this question.
synapsesocial.com/papers/6a193633a0353395e9580551 — DOI: https://doi.org/10.1163/18757421-05202006