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Research in architectural history is consistently based on three models of the architectural object: classical, monostructural and polystructural. In order to understand the methods and principles of modeling the architectural object, the authors consider the stages of methodological understanding of the model of the artistic object by outstanding philosophers and art historians, who addressed the problems of aesthetic worldview. It is noted that the contemporary architecture, gravitating toward artistic openness, semantic streamlining, polysemy and vagueness, can also be presented as the unity of the natural, artificial and conditional.
Volichenko et al. (Fri,) studied this question.