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In recent years, deepfakes have become part and parcel of contemporary algorithmic culture. It is regularly claimed that they have the potential to introduce novel modes of societal disruption, violence, and harm. Yet, over-emphasising the power of deepfakes risks occluding frictions, struggles, and logics that already persist in the digital landscape. Arguing for a conceptualisation of deepfakes as an assemblage of differential tensions in society, we explore how they represent both a rupture and a continuation of the variegated politics of the image in the social world. The paper analyses the tensions of deepfakes through three distinct case studies: bodies, politics, and ideas of objectivity. Ultimately, we argue that the tensions and ethicopolitical implications of deepfakes are not reducible to a problem that can be solved through a logic of algorithmic detection and verification.
Jacobsen et al. (Thu,) studied this question.