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This paper aims to explore Michel Serres' approach to issues of text, writing and language. In a first step, his own textual parasitism—his use of other texts without adhering to the academic conventions of citational practices—shall be assessed on grounds of the notion of intertextuality, comparing his position to Roland Barthes and Julia Kristeva. It shall be shown that Serres—understanding writing as an act of invention—seems to return to a traditional author position by conceiving of himself in terms of a creative writing subject. A second step of the paper will explore Serres' search for a language of the natural, material world by discussing his critique of the anthropocentrism of language. Serres' own project of reconnecting language with the material world shall be discussed within the context of his own intertextual dependency on other authors and his interest in information theory as connecting different signifying systems. The paper will end with observations on Serres' experimental style of writing, which attempts to bring the body and nature into language.
Gertrude Postl (Thu,) studied this question.