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It is predictable that the employment of sound in museums is inevitable for a multitude of different reasons. The contemporary museum’s emphasis on experience and participation has urged a transformation of its cultural paradigm. Multi-sensory experiences that mix auditory, visual, and tactile elements have become increasingly common in museums. Meanwhile, new demands have been placed on the museum experience as it begins to extend beyond the museum itself. It is appropriate for designers to develop a more holistic perspective on the audience’s connection to the exhibits and cultural content, which should also include consideration of sound content. This research examines inclusive construction in Lombardia museums through the perspective of sound. Inclusion is the starting point that sound can be engaged with, and sound contains other potentials to explore.
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Politecnico di Milano
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