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As a unique genre in Chinese cinema, Shaolin films have gained recognition worldwide. This article explores the essence of Shaolin films and, based on this exploration, introduces the background and filming process of the 1982 version of the movie "Shaolin Temple." By comparing real historical events at Shaolin Temple with the film's narrative, the article delves into the significant impact the movie has had both domestically in China and on the international stage. The main objective of this research article is to trace out the impacts of Shaolin Temple movie on different aspects of society and the culture. The methodological approach of this research article is based on the both the documents and the visual description which are obtained through different sources. The sources utilized for this research article are both in the form of primary and secondary sources. The results of the shows that the Shaolin films have greatly affected the society both in China and internationally which can be taken as a model for the development of the films in distinctive spaces. This is essential develop a new mode in the formation of films and their recognition.
Tian Chong (Wed,) studied this question.