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Other| April 01 2024 About the Authors Music and the Moving Image (2024) 17 (1): 63–64. https://doi.org/10.5406/19407610.17.1.05 Views Icon Views Article contents Figures 17 (1): 63–64. doi: https://doi.org/10.5406/19407610.17.1.05 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressMusic and the Moving Image Search Advanced Search guglielmo bottin studied psychology of music at the University of Padua, then he worked as composer for the media and as a producer and DJ, performing in over thirty countries worldwide. In 2019, he contributed to the establishing of La Biennale di Venezia's Centre for Electronic Music, whose activities he kept on developing in the following years. He is currently a PhD fellow at the University of Milan, where he researches theories and technological practices of groove composition. He has published on sonic hauntology, the history of Italian EDM cultures, and the relationship between kinetic visual art and electroacoustic music.rebecca burditt is an associate professor in the Media and Society Program at Hobart and William Smith Colleges. She researches early Cold War Hollywood cinema, musical films, advertising culture and history, and material culture. Her work has appeared in the Journal of American Culture, Teaching Media Quarterly, and... You do not currently have access to this content.
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www.synapsesocial.com/papers/68e77418b6db6435876e8dfe — DOI: https://doi.org/10.5406/19407610.17.1.05
Music and the Moving Image
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