Muslim women’s diasporic identity: a critical discourse analysis of Leila Aboulela’s Minaret (2005)

Due to different unpropitious circumstances, immigration is globally on the rise. A Muslim Sudanese woman's diasporic experience can be best perceived through a critical discourse analysis (CDA) of Leila Aboulela's novel Minaret (2005). In a study of Minaret's textual analysis, this article applies three central CDA postulations: 1. Teun A. van Dijk's (1993a, & 2006b) three layers of study through 'Discourse, Cognitive, and Society', 2. Ruth Wodak's 'Language, and Ideology' in the study of discourse analysis, and 3. Norman Fairclough's (1996a, 2001b & 2013c) '3D model of CDA'. This research explores the social, diasporic, and historical challenges through a textual analysis of Minaret, which is faced by Sudanese women in Britain. Najwa, the protagonist struggles to find her identity while encountering innumerable challenges in the diasporic route. Her dis/placement of identity, and religion can be seen to construct an identity in a multicultural world (like Britain). In a nutshell, Minaret presents Najwa's identity, representation, and language relation in social practice. Class conflict, power inequality, and a struggle for identity quest are contemporary issues that have been demonstrated around Najwa's life.