What Makes a Terrorist Tick in Al Aswany’s The Yacoubian Building?

Abstract This article provides a critical reading of Alaa Al Aswany’s novel The Yacoubian Building (2002), evoking important questions about the nature of terrorism in Egypt and how young men are transformed into religious fanatics. While certainly not excusing terrorists’ violent acts, we try to use the novel as a guide to understand what makes a terrorist tick. The novel invites us to witness the fall into the abyss of terror of a young man who dreams of being a policeman. The novel shows that while Taha struggles to change his fate, he faces marginalisation, police corruption, oppression and torture, which finally set him on the path to violence. The paper thus uses the novel as a focal point to broaden our understanding of who a terrorist figure is. Furthermore, we are interested in the literary representations of terrorism and why this novelist chooses terrorism as a main structuring element. By offering a qualitative, different understanding of the fundamental aspects of terrorism, we try to reveal that while it is the terrorist’s finger that pulls the trigger, there is a disorienting history of social, political and economic circumstances behind each bullet. The paper concludes that Al Aswany neither demonises nor offers an apology for extremists. He simply presents them as humans so that we can understand what they are angry about.