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The production of a theatrical show necessitates the utilization of various materials, artistic elements, and techniques, in addition to the integration of technical and digital advancements. From this perspective, the director, who is responsible for the show's production, endeavors to leverage hologram technology to enhance and advance the show. This is achieved by incorporating fresh perspectives and innovative ideas, enhancing the aesthetic appeal, and captivating the audience with visually stunning elements. To do so, the current study aims to research the potential applications and opportunities for integrating holograms into modern production. Moreover, this study also aims to research three-dimensional holographic images as a modern theatrical technique in contemporary theatre. Additionally, this study explored the potential capabilities of holograms in modern theatrical performances, especially centralizing the theatrical production in the UK (Royal Shakespeare Theater-Stratford) for the preceding year of 2017. For this purpose, the study used the analytical research method and tools to analyze the show “The Strom” directed by Gregory Duran in 2017. A comprehensive set of results was obtained to conclude the study along with particular attention given to holography in the context of theatrical performance.
Saad Abdul Karim Khayoun (2023) studied this question.