The body as the boundary between the hero and the world in non-classical lyrics

The object of research in this article is the lyrical subject in works related to the lyrics of the non-classical stage of the poetics of artistic modality (S. N. Broitman). The subject is bodily images that perform the function of the boundary between the hero and the world in the lyrical works. The purpose of the study is to identify and describe the value-semantic parameters of bodily images that perform the functions of the boundary between the hero and the world in the works of non-classical lyrics. The focus of this article is on the specifics of the relationship of the lyrical subject/character with the outside world, expressed by bodily images that carry the semantic meaning of the boundary between him and the world. Identifying and describing the features of these images, it is worth noting that the images of the similarity of the world to the human body and, conversely, the human body to the world are most directly related to them. The main method used in this work is historical and poetical analysis, namely, the identification in the texts under consideration of those features that are due to its belonging to a certain stage of the evolution of poetics. The scientific novelty of the study is determined by the fact that for the first time it theoretically summarizes observations on bodily images that perform the function of the boundary between the hero and the world in the lyrics of the non-classical stage of the poetics of artistic modality. In non–classical lyrics, the semantic emphasis in works depicting the world through the body and/or the body through the world, in our opinion, is placed on the external similarity of the lyrical subject and the phenomena of the external world (and more broadly, man and being), illustrating the relationship of the original connection between them with autonomy from each other. The images of the mutual similarity of man and the world in the lyrical works of this stage of poetics express the theme of the inseparability of these two spheres, the outer world of the hero and the inner world of the hero, with their a priori non-identity to each other.