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In this article, I explore the use, production, and readings of images in antiracist work as processes in constant tension with racist logics. Racist logics are deceptive and entrapping, and the visible world is a particularly dynamic arena in which to analyse this. Images, specifically photographs, incorporate a nuanced and productive contradiction between their ability to illustrate, explain and evoke, on the one hand, while also ensnaring, on the other, partly through alluring and providing pleasure. This contradiction means that anti-racist projects may include the possibility of re-inscribing racist discourse and practice. Drawing on empirical examples from Mexico, this article interrogates how photographic representations of Blackness have been entangled with the racist logics and racial projects that feed them. Racialised images that emphasise the physical body of Black people raise questions about how mestizaje, Latin America's main racial formation, has coded the visual space of representation in confusing ways.
Mónica G. Moreno Figueroa (Wed,) studied this question.