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This paper explores the multifaceted cultural history of ghost trains in Victorian fiction by situating three little-known ghost stories in the publishing and social history of the second half of the nineteenth century. The figure of the ghost train offers a route into the entangled history of publishing and railways by contextualising the anxieties presented in railway ghost stories with the real-world experiences of passengers. Taking ideas of mobility as a focal point, this paper brings together discussions of virtual travel and the supernatural to demonstrate some of the impact railways had on reading and writing about train travel. More so than tales of other haunted transport technologies, it is the ghost train's unnatural capacity for movement that disturbs both passengers and readers. By both enhancing and warping reality, railways are ripe source material for Victorian ghost stories to entertain and demand questions of spatio-temporal experience from their reading passengers.
Alicia Barnes (Tue,) studied this question.