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Let me begin my response to the given text with situating myself: My work engages with the affordances of historical sound recordings as performative, sung, or spoken sources of colonial history
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Aktories et al. (Thu,) studied this question.
www.synapsesocial.com/papers/68e74210b6db6435876bbbc0 — DOI: https://doi.org/10.34096/oidopensante.v12n1.14387
Susana González Aktories
Anette Hoffmann
Kerstin Klenke
El oído pensante
University of Cologne
Universidad Nacional Autónoma de México
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