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Abstract: Lope’s theater is famously playful, featuring a whole series of ludic devices that, dramatically at least, tend to privilege subjectivity and imagination over hard-headed adherence to social norms and the body of customs. This article, remembering Don Larson’s playful nature and his own deep-rooted interest in processes of extension and transformation, examines the translational implications of Lope’s ludic imagination.
David Johnston (Mon,) studied this question.
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