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The ongoing political turmoil in Turkey is reflected in many areas of the cultural landscape, including the processes of music-making. With its immensely rich musical and cultural legacy that combines a rural and urban heritage, Istanbul has become home to many subcultures revolving around a variety of ethnicities and political acts. While the neoliberal urban control and gentrification agenda of the AKP (Justice and Development Party) government is reshaping the cultural life in the city; a do-it-yourself (DIY) attitude in the music scene removed the barriers of a hierarchy of production while creating unique performance spaces and a sense of belonging and solidarity among its participants. This essay intends to examine the influence of authoritarian politics on the formation of DIY initiatives in Istanbul’s indie music scene. I will concentrate on the period of 2013–2020, the start date signifying the paradigm shift that the Gezi Park protests (May 27–August 20, 2013) fostered, and the end date signifies the decline of the active music scene, with the COVID-19 pandemic preventing live music altogether. This project is a result of fieldwork conducted as a participant-observer of the scene, in addition to structured and semi-structured interviews. The results of the research will be discussed with a focus on the influence of the Islamist, neoliberal, and authoritarian politics of the government on the indie music scene of Istanbul.
Yaprak Melike Uyar (Mon,) studied this question.