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Abstract This introduction to the special issue of the British Journal of Aesthetics, ‘Remote Art: Engaging with Art from Distant Times and Cultures’, presents the notion of art’s remoteness in the context of debates about inter-cultural diversity. It discusses the various aspects of remoteness, how it figures in the individual contributions to the issue, and suggests possible avenues for future scholarship.
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The British Journal of Aesthetics
University of Southampton
Masaryk University
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Mortu et al. (Thu,) studied this question.