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This paper argues that an artistic approach can enhance the power of ethnographic research by slowing down reasoning, processing emotions and complying with the ethics of representation. The author reflects on her experiences during fieldwork in Norway among minoritized Norwegians working in the art and cultural sector, and the intense emotions and bodily reactions she experienced while listening to painful stories of trauma. She describes how this emotional intensity led her to start drawing images, and later to create a traveling exhibition.
Cecilia G. Salinas (Thu,) studied this question.