Key points are not available for this paper at this time.
Welcome to the ninth issue of PulsMärta Ramsten looks at diachronic oral transmission of a repertoire of process marked by the interplay between acceptance and avoidance/ repudiation.Johan Franzon discusses translations of "schlager" lyrics for the popular examines how these approaches have varied in response to shifting trends in and conditions for the popular music industry.Daniel Fredriksson analyses the strategies of a Black Metal band to position themselves within the cultural hierarchies in Sweden to receive public funding for staging the story of a local religious doomsday-cult through black metal, props and rituals.Josepha Wessels and Helene Hedberg discuss how performing and teaching Arab music in southern Sweden may open potential spaces for crosscultural interaction, and for negotiation of representations, identities and belonging in an increasingly diverse world.Olga Nikolaeva explores a dance performance in which the audience is representation can be communicated meaningfully to others through dance.Just like previous editions of Puls wideranging ethno hallmark of contemporary ethnomusicology, is partly a result of ethnomusicologists being active in so many academic disciplines.The contributing authors here have their academic residence in disciplines such as Visual Communication, Media and Communication studies, International Migration and Ethnic Relations, Sound and Music Production, Musicology, and Scandinavian studies.To end, a few paragraphs on a common underlying theme in the papers and in current Swedish ethnomusicology at large.
Owe Ronström (Wed,) studied this question.