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Abstract: Aesthetic judgment does not require defense, because moral judgment saturates our language and our experience. In the first part of this essay, I look at the writings of Iris Murdoch, Stanley Cavell, and G. E. M. Anscombe to show how judgments shape our most intimate dealings with the world. In the second part, I examine a strong instance of practical criticism: the writings of Clement Greenberg on Impressionism and Henri Matisse. Greenberg’s Kantian attempt to separate aesthetic judgment from moral judgment breaks down in practice, a testimony to the depth of his engagement with art and the ubiquity of moral judgment.
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Todd Cronan (Thu,) studied this question.
synapsesocial.com/papers/68e68cf7b6db643587614a01 — DOI: https://doi.org/10.1353/mfs.2024.a928340
Todd Cronan
Modern fiction studies
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