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Prominent scholarship on the Italian South has reflected on the otherized, inferiorized and racialized positionality of the region’s territories, cultures and populations within the national Italian debate, with the North functioning as an allegedly virtuous norm that the South constantly fails to conform to. The gendered imagery that inscribes this type of ethnic and territorial subordination permits, in this context, the visualization of anomalous, recalcitrant and undomesticated Southern women that function as a metaphor of the irredeemable otherness of the South. In this article, I use as a starting point three films starring and directed by Leonardo Pieraccioni, namely I laureati ( The Graduates ) (1995), Il ciclone ( The Cyclone ) (1996) and Il paradiso all’improvviso ( Suddenly Paradise ) (2003). I consider these films in order to analyse the screen personas of Tosca D’Aquino and Anna Maria Barbera, both of whom embody, in different ways, the encounter between Southern identity, eccentricity and non-normative corporalities.
Marcello Messina (Fri,) studied this question.