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This article shows how the Arctic landscapes in the Danish political drama series Borgen—Power politically due to the conflicted interests from Denmark and other nations for the country’s natural resources; environmentally due to the looming transformation of the Arctic landscapes due to global warming, and commercially due to increasing interest in screen production from Greenlandic tourism actors. Furthermore, we contribute to the location study method approach by focusing on location management and the contestedness of the industry itself.
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Grönlund et al. (Mon,) studied this question.
www.synapsesocial.com/papers/68e66715b6db6435875f2d7a — DOI: https://doi.org/10.1177/17496020241258709
Anders Grönlund
Anne Marit Waade
Critical Studies in Television The International Journal of Television Studies
Lund University
Aarhus University
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