The Awakening of Female Consciousness on Asian Films Screen: A Feminist Analysis of Spring Tide, Thappad, and Kim Ji-Young, Born 1982

This study presents a comparative analysis of three influential Asian films: Spring Tide, Thappad, and Kim Ji-Young, Born 1982. It focuses on the evolution of female identity and the portrayal of patriarchal resistance in modern Asian societies. Drawing on feminist film theory, cultural studies, and socio-political analysis, this study is divided into three main parts: females in maternal and marital roles, females in social roles, and the identity of the female subject. The analysis begins by examining the narrative techniques employed in each film to depict the struggles and triumphs of female protagonists representing diverse social identities such as homemakers, returning homemakers, and professional women. Through these characteristics, the films delve into the challenges women encounter in negotiating their roles within the family and broader society, shedding light on the impact of traditional norms and gendered expectations. Overall, this comparative study contributes to a deeper understanding of the evolving portrayals of female characters, complexities of patriarchal resistance, and intersectional nature of gender politics in Asian cinema. This underscores the significance of films as a medium for cultural critique, social commentary, and advocacy of gender justice in diverse cultural contexts.