Voices from the Other Side: Exploring Nonhuman Agents and Their Narrative Function in the Zhuangzi

Abstract In the history of Chinese literature, the Zhuangzi authors were the first to grant a voice to diverse forms of life, among them a snake, a tree, a dead man, a divine turtle, and even the wind. What exactly is the interest of incorporating nonhuman protagonists in brief literary fictions? Was there something at stake when trying out this pioneering narrative technique, or was it just for the sake of literary innovation and entertainment? Through a detailed analysis of a set of concise narratives, this study uncovers a consistent critique of the religious institutions (chiefly divination and sacrifice), as well as the economic practices prevalent during the Warring States period. It aims to demonstrate that the Zhuangzi's comprehensive critique of the Zhou cultural order achieves its “hearability” through a recurrent use of striking dualities, including day and night, dream and wakefulness, and humans and nonhumans. A heretofore silent and passive community of living beings raises its voice and is able to challenge the well-established discourse proclaiming human sovereignty over the natural world. These voices and the themes they raise serve, among other things, as a literary strategy intended to illuminate the universality of violence and the criminal essence of human culture (wen 文).