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In late nineteenth century and in the first two decades of the twentieth century, Portugal witnessed a modest industrial growth. This industrialisation process was recorded by thousands of photographs, many of which were published in the illustrated press. In this article, I analyse how Portuguese industry was represented by photography and how that representation was disseminated nationwide through the publication of photographs in the two most important illustrated magazines of that period: O Occidente and Illustração Portugueza. I rely on a methodology combining semiotics with discourse analysis in journalism. I show that both magazines built an industrial landscape of modernity and progress, which did not coincide with the real condition of Portuguese industry. I add to the discussion advocating photography as an historical source, arguing that it is much more than a mere illustrative support, but a reliable primary source, with a high potential for history in general, and for the fields of business and industrial history in particular, in the sense that photography can provide fresh narratives around technological change.
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Hugo Silveira Pereira
Revista de historia industrial
Universidade Nova de Lisboa
Centro Interuniversitário de História das Ciências e da Tecnologia
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Hugo Silveira Pereira (Tue,) studied this question.
www.synapsesocial.com/papers/68e61a6ab6db6435875ad22f — DOI: https://doi.org/10.1344/rhiihr.44789
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