Paradigms of Linguocultures in the Translation Interpretation of a Literary Text

The article is devoted to the study of the actual task of national translation studies, linguistic culture - the problems of translation of poetic texts. Attention is drawn to the theory and history of the translation interpretation of Abai's works. The experience of the translator M. Simashko and the bilingual translator M. Adibaev in preserving the features of the style, the creative position of the poet was studied. The quality of the translation is given a scientific assessment. In Abai's translations into Russian, a deep thought of a realistic national-colorful picture or Turkism’s was found. The structural similarity with the Kazakh language is revealed. It is impossible not to agree with the judgments of the scientist R.K. Kaishibayeva speaks about the inseparable connection of the art of the word with elements of the native language, that a literary work is inextricably linked with its linguistic environment, and it cannot be moved to another. Only the translator's talent can revive a work in another language. Abai sought to convey his vision of philosophy, history, his view of the development of the world; he tried to bring humanity to mutual understanding and contact, to an understanding of national differences as a phenomenon that not only contradicts this interaction, but, on the contrary, enriches everyone with spiritual power and wisdom. The study is based on scientific concepts of analyzing the artistic text and artistic national world, as well as study of paradigms of the meaning of education and artistic and psychological interpretation of the image of the well in the story “Well” by A. Kekilbaev and in the novel by Kh. Murakami’s novel “The Winding Bied Chronicles”. The sources to which the authors turn are the basis for the development of the author's vision of the world and distant historical times.