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In this article, I argue that in Bacchae, Euripides masterfully attempts to combine the essential qualities of the Dionysian cult, which seek to temporarily alleviate human suffering and drastically alleviate mental anguish, with the fundamental principles and values of the Athenian democratic city-state. These principles prioritise, inter alia, every possible celebratory occasion for the emotional relief and moral fortification of citizens. The gruesome dismemberment of Pentheus illustrates, in the most shocking way possible, the disastrous consequences that could arise in a city where, in the name of egocentric intellectuality and inflated narcissism, the ruling class stubbornly denies the populace’s inalienable right to enjoy the uplifting effect of religious enthusiasm and festive frivolity, including the subversive, prima facie, but essentially therapeutic Bacchic relaxation, which can sometimes culminate in celebratory defiance and dreamlike illusion.
Andreas Markantonatos (2024) studied this question.