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This article focuses on the 2006 interpretation of Aescylus’ Persians by the Greek theatre director Theodoros Terzopoulos. Through his systematic method, Ter- zopoulos incorporates actions and traditions into his productions, drawing from rituals, practices, and ceremonies from the East. Terzopoulos’ rendition of the historical play Per- sae, which examines the reception of the news about the Persians’ defeat by the Greeks in the “other” Persia, correlates “otherness” with universality. By employing a Greek and Turkish cast as well as rituals from “other” cultures, the director makes a claim that human attitudes and reactions are universally shared among all human beings.
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Katerina Arvaniti (Mon,) studied this question.
www.synapsesocial.com/papers/68e6046bb6db643587597bb7 — DOI: https://doi.org/10.37130/d6g6ta53
Katerina Arvaniti
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