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Inspired by posthuman, feminist materialist theory-doings in educational research, this paper maps moments in a post-qualitative research project that set out to explore what else relationships and sexuality education might become with 'art-as-way' (Manning Citation2020) in a shaky yet conducive policy context where 'what matters' must not be assumed in advance but co-constructed with children and young people. Progressively supported by an artist-in-residence teacher assistant, composer and filmmaker, we open up what unfolds when a diverse group of 11 young people (age 13–14) creatively unbox and make 'what matters' to them in an art classroom. We conceptualize what came to matter as 'dartaphacts' (arts-activist objects) and follow these other-worldly posthuman pARTicipants as they connect, grow, and become 'more-than'. We speculate, that in conducive, con-sense-ual environments, the affective power of dartaphacts can unbox a living curriculum for a Relationships and Sexuality Education (RSE) to come, in all its Majestic Insecurity, Untitled, Freedoms, Feathers, Bruised Hearts, Consent-quakes, eQuality Vibrations and Wiggly Woos.
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Emma Renold
Cardiff University
Victoria Timperley
Cardiff University
Gender and Education
Cardiff University
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Renold et al. (Mon,) studied this question.
synapsesocial.com/papers/68e5f842b6db64358758c026 — DOI: https://doi.org/10.1080/09540253.2024.2370271