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This article utilizes the form of a creative writer's craft interview – a popular example is The Paris Review's "Art of Fiction" series – to explore the interview as a tool in creative writing practice. The mock interview – the author is both interviewee and interlocutor – allows the author to interrogate how interviewing functions as a means of exploring identity and so reorients them to another subject's pain and experience. In addition, the author examines Muriel Rukeyser's use of collaged fragments of interviews in her The Book of the Dead and includes a discussion of the poet Philip Metres's writings on documentary poetics as a means of thinking through new ways for them – and any creative writer – to incorporate the interview as a tool. The article ends with the importance of the collage-interview, in the age of ChatGPT, for preserving language complexity and of representing experiences beyond the author's imagination and experience.
Hasanthika Sirisena (Wed,) studied this question.