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This editorial introduces the latest issue of Studies in Costume and Performance ( SCP ), with most contributions stemming from research presented at international events such as Critical Costume 2022 and the Prague Quadrennial 2023, authored mainly by early-career researchers and practitioners sharing insights into their artistic practice. Each contribution delves into the intricate interplay between costume, body and performance, elucidating how costume shapes narratives, identities and cultural representations on stage and screen. From exploring the portrayal of Gypsy, Roma and Traveller (GRT) communities to delving into the iconic contributions of designer Julia Trevelyan Oman, the articles offer multifaceted perspectives on costume’s role. Furthermore, the issue features innovative character-building techniques in acting, a poetic visual essay reflecting on pandemic-era artistic expression, and insights from the Prague Quadrennial 2023, emphasizing costume’s growing visibility in shaping social and political discourse. Additionally, a conversation between emerging and established costume designers enriches the intergenerational dialogue within the field. Overall, the collection exemplifies hybrid research methods and interdisciplinary approaches, and introduces the voices of early-career researchers to the global readership of costume studies.
Osmond et al. (Wed,) studied this question.