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The Kiswah of the Holy Kaaba possesses aesthetic values and dimensions embodied through the artistic compositionof Arabic calligraphy, and this artistic composition is considered a wonderful aesthetic artistic issue that arousesadmiration, appreciation and reverence. Therefore, this study aims to reveal the aesthetic systems with plastic artisticvalues present in the linear formations embodied in the dress of the Holy Kaaba, according to a methodologicalperspective and an artistic vision. The question that arises, which embodies the research problem, is gathered by theresearcher into a main question: Can the researcher analyze the aesthetic systems of Arabic calligraphy and calligraphicformations in the covering of the Holy Kaaba and formulate them in a contemporary artistic language? Based on thenature of the study and the goals it seeks to achieve, the researcher used the content analysis approach, which is anapproach suitable for this type of aesthetic study related to describing works of art. Regarding the study tool,observation will be the fundamental tool used in this study. The study population is represented by the collection ofArabic calligraphy and calligraphic formations in terms of the semantic and aesthetic functions of the covering of theHoly Kaaba.
Alashari et al. (Sun,) studied this question.
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