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Oral history, which collects historical materials by means of oral interviews, is an important auxiliary means for ethnomusicological research. Marked by the First Symposium on Oral History of Music in 2014, the academic community has launched a series of discussions and elaborations on its concepts, methods, norms, meanings, and other dimensions, and a series of academic achievements have been born. In this paper, we will combine relevant theses to explain how music oral history as contemporary history can achieve “intertextuality” in ethnomusicological research, emphasize its humanistic attributes, and summarize our reflections on the basis of existing academic experiences.
Xinyi Kong (Wed,) studied this question.