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This paper offers a novel dramaturgical reading of Yeats’s 1939 verse play Purgatory to explore the representation of patrilineage from the point of view of transgenerational trauma. In psychological studies, there is a growing body of evidence attesting to the fact that trauma experienced by an individual can significantly affect their children and even grandchildren, although these generations have not had a first-had experience of the initial trauma. This paper, therefore, not only offers a close dramaturgical reading of Yeats’s Purgatory in light of patrilineage, but it also employs cultural trauma theory and some aspects of clinical trauma studies as a new frame of reference to gain a more thorough and topical understanding of what Yeats’s drama has to offer to contemporary audiences.
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Zsuzsanna Balázs (Fri,) studied this question.
www.synapsesocial.com/papers/68e5daeeb6db643587570d55 — DOI: https://doi.org/10.36253/sijis-2239-3978-15383
Zsuzsanna Balázs
Studi irlandesi A Journal of Irish Studies
Obuda University
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