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Abstract: This study explores the themes of resistance and empowerment in the portrayal of women in Arundhati Roy’s novels, ‘The God of Small Things’ and ‘The Ministry of Utmost Happiness’. Roy’s narratives present women who challenge societal norms and resist oppression in multifaceted ways. In ‘The God of Small Things’, characters like Ammu and Rahel navigate the patriarchal confines of Kerala society, embodying defiance against rigid cultural expectations. Through their personal struggles and transgressions, Roy highlights the complexities of female agency in a conservative setting. ‘The Ministry of Utmost Happiness’ expands this exploration into a broader socio-political context, featuring characters such as Anjum, a transgender woman, and Tilottama, who navigate their identities amidst India’s tumultuous political landscape. This novel showcases a diverse spectrum of womanhood, intersecting with themes of caste, religion, and gender identity. By focusing on the resilience and empowerment of her female characters, Roy critiques social injustices and illuminates pathways toward autonomy and selfexpression. This analysis aims to underscore the transformative power of Roy’s writing in challenging traditional narratives and advocating for a more inclusive understanding of gender and identity.
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Brajesh Kumar (Sat,) studied this question.
www.synapsesocial.com/papers/68e5cc74b6db643587562fc1 — DOI: https://doi.org/10.22214/ijraset.2024.63905
Brajesh Kumar
International Journal for Research in Applied Science and Engineering Technology
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