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Because of the Irish border's troubled history and heightened symbolism, filmmakers have since long relied on the border as a setting to thematise issues of national identity, belonging, and trauma. Departing from the concept of border poetics this article takes films featuring the border between the Republic of Ireland and Northern Ireland as its topic of inquiry. Beyond compiling a border film archive in which all cinematic representation of the Irish border is collected, a close reading is conducted of border mobilities in a sample of 43 narrative fiction films (1937-2021). The article's textual analysis makes the distinction between three border mobilities (1) border crossing, (2) border inhabiting, and (3) border (re)visiting, to investigate how filmmakers utilise the Irish border for various narrative, formal, and ideological ends. As such, the border's cinematic legacy can be better understood.
Soberon et al. (Wed,) studied this question.