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Abstract The following interview with Layale Chaker, conducted on 14 September 2023, delves into her unique journey as a Palestinian-Lebanese composer, highlighting the pivotal role of music in shaping her sense of “home” following the Lebanese Civil War. Drawing from her diverse musical upbringing, spanning community choirs to formal conservatory education, Chaker elucidates the disparity between institutional training and the lived musical experiences of the Arab world, informing her quest for authenticity in composition. Chaker recounts her involvement with the West-Eastern Divan Orchestra, founded by Daniel Barenboim and Edward Said, juxtaposed with her decision to pursue an individual artistic trajectory. Central to the conversation is her composition “En Présence de l'Absence – Homáge à Edward Saïd,” revealing a deeply personal connection to Said's legacy and a nuanced exploration of his ethos through music. The interview culminates with insights into Chaker's forthcoming opera, “Ruinous Gods,” co-crafted with playwright Lisa Schlesinger. Addressing the profound trauma of refugee children afflicted with uppgivenhetssyndrom (resignation syndrome), the opera promises a poignant musical narrative probing themes of parenthood, displacement, and societal obligation. Set for premiere at the 2024 Spoleto Festival USA, Chaker's work continues to blend artistry with advocacy, offering a resonant reflection on human resilience and responsibility.
Andrea Shaheen Espinosa (Mon,) studied this question.