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Abstract This article explains the role played by contemporary art evocations of the communist past in the establishment of a more comprehensive memory of the communist regime in Romania. The analysis delineates the three memory frameworks of the communist regime in Romania (official memory, activist memory, and a nostalgic outlook) and contraposes them to the five artistic memory frameworks (Ceaușescu’s portraits, the 1989 revolution, the victims of communism, the portraits of the members of the Securitate , and the communist nostalgia) that have crystallized in the period 2000–2020. Theoretically, the article uses the art and politics of memory focus, which is found at the intersection of the studies of cultural/artistic memory and the role of art in Transitional Justice studies, to propose a critical perspective on contemporary artistic discourses of the communist past in Romania.
Caterina Preda (Thu,) studied this question.