Bodies as Temples

Abstract The portrayal of disability within sacred and dramatic narratives offers an avenue for the examination of societal and theological paradigms. Such an examination is attempted in this study by investigating the representation of disability in the Bible and Ola Rotimi’s play Hopes of the Living Dead through the theoretical frameworks of Ableism and Reynolds’ hermeneutical approach. Biblical stories depicting disability as a curse, a tool, and a subject of divine healing are used in the research to explore the complex interplay between societal perceptions and theological implications. Rotimi’s dramatization of people with leprosy further elucidates themes of marginalisation and resilience within a predominantly secular context. Integrating Ableism theory, this paper critiques normative conceptions of ability and disability, while Reynolds’ hermeneutical methodology facilitates a nuanced interpretation of the often-conflicting representations found in both sacred texts and dramatic literature. This interdisciplinary approach yields comprehensive insights into the cultural, religious, and social constructs surrounding disability, advocating for more inclusive and empathetic interpretative practices.