An Early Ofan for Hanukkah, the Temple Menorah, and the Visual Culture of Late Antique Synagogues

Abstract This contribution focuses on an anonymous poem for Hanukkah and its wealth of visual imagery as a window on the interrelationship between liturgical texts and the art of the ancient synagogue. It sets this poem in conversation with the image of the menorah in synagogues excavated in the Land of Israel, as both reflect Jewish liturgical creativity during late antiquity, between the fourth and seventh or eighth centuries. It explores how the visual culture of Jewish late antiquity provided an early medieval payyetan (synagogue poet) with a rich library of objects, symbols, and metaphors for a composition celebrating the Festival of Lights; the poetic synthesis, in turn, yields a richly resonant symbolic matrix of meaning. Attention to light sources (lamps) and the symbolism of light more generally reveals how the material and visual culture of antiquity – particularly the menorah – suffused the piyyut, and how the piyyut could have colored perceptions of familiar experiences and objects. After examining lamps (and particularly menorahs) from a variety of perspectives, we will return to the poem to consider more closely the role that illumination plays in the short, festive lyric.