Abstract: Although Emily Dickinson’s Herbarium has become a celebrated object for its beauty and singularly impressive diversity, there are other collections of plants attributable to the poet. This essay will focus on a neglected set of specimens, the Quire, furnishing a new suite of species associated with Dickinson while also providing a rare glimpse into her herbarium-making process. Combining the evidence of this process with previously overlooked clues from the Herbarium itself, I propose an emerging possibility that allows for the Herbarium’s meticulous construction—or composition—to have occurred during a later period in Dickinson’s life than traditionally assumed. This plasticity of timeframe may foster a new era of scholarship with the potential for fresh insights into Dickinson’s botanical and literary oeuvres.
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Peter P. Grima
The Emily Dickinson journal
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Peter P. Grima (Wed,) studied this question.
www.synapsesocial.com/papers/68c1ae6654b1d3bfb60e62e1 — DOI: https://doi.org/10.1353/edj.2025.a966931