Abstract: On the U.S.-Mexico border, thousands of migrant dead go unidentified, unnamed. Situating works of twenty-first-century photography, journalism, documentary, and creative nonfiction at the intersection of necrology and elegy, I argue that these narrative searches for names both illuminate and resist the necropolitical border policies designed to anonymize and erase.
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Allison Fagan (Thu,) studied this question.
www.synapsesocial.com/papers/68c1e30154b1d3bfb61003db — DOI: https://doi.org/10.1353/mos.2022.a966597
Allison Fagan
Mosaic
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