The article is devoted to the problem of fundamentalism arising within the epistemological anarchism of P. Feyerabend, as if contrary to his main position. This approach proclaims the freedom of the method, plurality, the purpose of which is the liberation of research activities, the rejection of the dictate of the method. However, these principles, reduced to the slogan “everything will do”, lead to a serious contradiction: if everything will work, then the dictate of the method will do. Epistemological anarchism is quite capable of pandering to the fundamentalism with which it is called to fight. This problem is the subject of the study of this work. In this regard, the method of critical analysis was applied to this research principle, designed to identify its internal contradictions and limitations. With the help of the method of hermeneutics, epistemological anarchism is associated with the broader context of the deontologization of European philosophy, and the corresponding issues. This makes it possible to interpret some ways of understanding P. Feyerabend’s theory as a transition of science from a claim to objectivity to ‘social constructivism’. But such a transition is just a reversal of the classical subject-object opposition. Using the theories of B. Latour, a different interpretation is given to the works of P. Feyerabend, an interpretation that indicates the hybridization of the research strategy, the constant interweaving of things, researchers and forms of expression of research programs and subjects of research. The consequence of such an interpretation of epistemological anarchism is an indication that scientific methods are not eliminated in their aspect of the regulation of research activity, but acquire a new property – they are understood aesthetically. Thus, as an addition to the epistemological anarchism of P. Feyerabend, there is the concept of aesthetic experience, where the method of science is a “guide”, freely chosen for the purposes of clarity of presentation, the way of expressing scientific ideas. An important feature of this approach is a specific relationship to empiricism, namely the concept of aesthetic experience. The latter presupposes not the verification of the truth of theories by empiricism, but the use of empirical data as an array of expressions, as a condition for the problematization of any theory. In this regard, aesthetic experience and the corresponding empiricism inverts the principle ‘everything will do’ to ‘nothing will do’.
Павел Егоров (Thu,) studied this question.